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Empirical studies of youth cultures and subcultures continue to flourish alongside active theoretical progression and debates within and across a variety of intellectual traditions.

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The article will cover four areas, all focused on placing ‘imagination’ at the centre of subcultures research:

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This chapter theorizes the ways in which mythical stories of the origins of subcultures and the authenticity of subcultural identities have influenced subculture research since the 1970s.

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Second, it defines the subcultural imagination and third, it explores specific empirical examples of subcultural subjects and, finally, we shall.

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After critically evaluating research on subcultures since the 1970s, this chapter questions the validity and analytical potential of the term ‘subculture’.

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The aim of this special issue is to benchmark critical research on skateboarding, youth and subculture on an international basis to contribute to the field of research which explores contemporary skateboarding focusing on young people’s everyday lives from a.

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Speaking of the academic ‘myth of subcultures’, first the limits of subcultural.

The article will cover four areas, all focused on placing ‘imagination’ at the centre of subcultures research: